Ring! Ring!
I shifted nervously, perched on the edge of my seat…..ears angled, searching for the source of that sound.
Ring! Ring!
There it was again… then I felt the buzzing on my thighs – the sound was coming from me. Who could be calling at this time? I wondered, looking around awkwardly, numerous stares piercing my back. No one enjoyed having their speeches interrupted by a phone ring. Heck, not even me, I thought. I smiled apologetically to the lady next to me and motioned for her to move back a bit, as I slowly made my way out of the auditorium. After a few shoves and steely glares, I was finally out in the hallway of the National Museum and House of Culture. I turned on my phone screen to find out who had been calling so persistently… It was my mother.
My mind began to race with numerous questions and concerns. She knew I was at the TedxDar conference today because that was all I could talk about over the last two months. I couldn’t stop rambling on about how excited I was to have a front row seat to witness some of the most inspirational minds share their insights and tips on issues that could save me and my crumbling music business.
I had dared to start something new.
To venture into the unknown and difficult area of taarab pop, and it wasn’t turning out as good as I had hoped. We had so few people with true talent in this province and I had come to Dar es Salaam to forget my troubles and refind my passion for my profession.
And here my mother was, calling me in the middle of my mini retreat.
I took a deep sigh as I pushed open the grand doors of the main entrance and dialled my mother’s number.
Hello? Mum? I said repeatedly, unable to hear what my mother was saying on the phone. I moved further away from the doors until I was standing outside the museum, still yelling Hello?! on the phone. It was only then I heard her voice: “My dear, I am so sorry to take you out of your conference but Aadila just passed by and dropped off her resignation notice. I know she was one of your best and had to tell you immediately. “
My heart sunk at her words.
Aadila My last female singer, had just decided that I was no longer good enough to represent her. Overcome with emotion, I burst into tears. I wept, with my mother still on the phone. She tried to reassure me, but I couldn’t take it.
This was just too much.
I could feel my dreams being snatched away from me. After what felt like a lifetime of crying, I uttered a weak “I will call you back Mama, I need some time to think now.” She responded with a soft “okay Busara, don’t give up. I love you.”
Then I hung up.
I stared out at the open space before me. So many people were going about their normal day. No one saw me. “Am I that insignificant? Am I really nothing?”
I trudged down the museum staircase, defeated. Was it really over? Lost in thought, I almost ran into an older lady sitting on the staircase, humming to herself. Flustered, I looked down to apologize to her as she turned in my direction. It was only then that I realized who she was. She was none other than the Queen of Taarab and Unyago herself – Bi Kidude! The Little Granny!
And – she was smoking?
I burst out in a soft laugh, more amused than shocked. Everyone in Tanzania and Zanzibar knew about Bi Kidude’s infamous love of cigarettes, She was still smoking at 91 or so years! But here she was, just relaxing on the museum staircase, puffing laconically like an unknown figure – this Zanzibari Empress of Taarab. Our very own living icon!
She smiled, summoning for me to join her on the staircase. I nervously obliged, still unable to process what was unfolding infront of me. I knew Bi Kidude would be here for the final performance, but I never expected my first encounter with her to be on a staircase.
I politely accepted the cigarette she offered, and smiled as she lit it for me. A cool, relaxed feeling came over me as I dragged the smoke in. I hadn’t had a cigarette ever since I decided to quit a few years ago, but today I couldn’t be bothered to say no. I wanted to let go. I wanted to be free and forget all my troubles. No thoughts! Just me and this cloud of smoke. I turned to look at Bi Kidude and found her smiling at me.
She asked, “mtoto wangu, habari? Nini mbaya? ” , meaning my child, how are you?, what is wrong? in Kiswahili.
I responded defeatedly in Kiswahili, suddenly tired of holding back, “Bibi (grandmother), I feel like my world is crumbling down. nimechoka ( I am tired)… How do you do it? How do remain so happy and hopeful? Here I am not even willing to think of tomorrow how much more my future… everything is so dark… Sielewi (I don’t understand)”
She took one draw of her cigarette, placed her small hand on my shoulder and – beaming – replied in Kiswahili:
You remember my song Kijiti, even with Siti Binti Saad’s pioneering Taareb singing by women in the 1920s, you would think in this day people may be more welcoming to it but it is still almost as bad as it was in the beginning.I still perform Kijiti using the drums, shaking my waist and leading unyago ceremonies. People still stare at me in amazement but it is because they don’t understand. They don’t understand how important it is to do what makes you happy and makes you free. What I do in public is nothing like the unyago ceremonies we do in secret…
Did you ever do unyago?
I shook my head and added “No, never had the opportunity. You see I am yet to marry.”
Bi Kidude then let out a loud exclamation and continued in Kiswahili:
Oh! Then you have never experienced being a free woman. Learning about sex, the positions, learning about taking control of your own body.
Knowing your body intimately.
The things that the big people nowadays say are too intense for public consumption, but we all know it is what makes us free. That is why I twirl my hips and sing even now that I am 102… or is it 110?
She laughed heartily because no one knew her true age; it was almost like the age itself was mythical. Just like she is, I thought warmly.
“That is why I cannot stop singing – music is my life. If I stop singing, how do they expect me to survive”,
She added.
I couldn’t help but smile. This woman was breaking barriers even at such an old age. I still couldn’t get why it had taken us so long to appreciate her – she was such a treasure.
She was always giving and helping others. It was even rumored that once in Stone Town, her hometown, many people came knocking on her door with problems to be addressed, and she gave them so much money that in 10 days she was penniless.
Why did we have to wait for rumors of her death during an overseas tour before we noticed what a diamond she was? How could we have ignored such a generous and unique soul?
Bi Kidude began to stand up slowly and motioned for me to join her up. Then she stretched out her hand and said: “ Join me” in the warmest Swahili I had ever heard.
I took her hand gladly and we began to twirl around slowly as she broke into one of her famous songs: Alaminadura.
She sang with so much passion, in such a gravelly voice, that it sounded almost magical. The universe was round as we twirled, and so were we.
I felt like I was being transported to another time, another place, another galaxy – a peaceful space. She sang for what seemed like a lifetime, but was really just a few minutes. Then we settled back down on the staircase.
She took another cigarette from her Embassy pack and went back to smoking as I stared at her in amazement and admiration.
Then two event reps rushed towards us to tell her that she was up next.
It was just then I realized that the Tedx event was almost over. I had lost track of time and missed almost the entire conference here sitting and singing with Bi Kidude. But it was totally worth it, I said to myself smiling.
She smiled at me with her worn and aging lips and added, Shall we? I got up and helped her up and we both made our way back to the museum for her performance. But at that time, I had no idea that that would be one of her last public performances ever.
But wow! What a performance it was!!
YOU ARE FOREVER IN OUR HEARTS FATIMA!
REST WELL LITTLE SINGING GRANNY!
REST WELL BI KIDUDE!